From the almost complete Mundus Admirabilis:
An amazing view of the Goldie Paley Gallery.
To the just unpacked work of Betsabeé Romero:
We finally get to see what Betsabee Romero's carved tires look like without all that wrapping.
A few of the prints created from the aforementioned tires.
And Virgil Marti's wallpaper with the lustrous glow:
The fuzzy ottoman that accompanies the rest of Marti's exhibit.
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